Two month into my domestic wine odyssey, and it is abundantly clear that the current face of the domestic wine landscape is changing, and evolving into a very intriguing soap opera of events. The ongoing debate over the legitimacy, quality, and consistency of ‘natural’ wines, the backlash from more savvier consumers over alcohol levels, usage of oak, and extraction, and the surging popularity of more alternative grape varieties, is turning this decade into a watershed time for the wine industry in the United States.
Some folks, such as myself are enjoying the spectacle unfolding in front of our eyes, others are wincing at the thought that their patrimony of iron-fisted big wine oppression is coming to its fateful finale. The long good-bye of the once considered hallmarks of our wine culture: the snarling beast of soaring alcohol levels, and unholy, heavy-handed usage of bitter oak all twisted and contorted into what makes up 97 point, three digit $ bottle of wine.
Two months of drinking as much good domestic wine has taught me this, things are changing for the better for us who grasp the concept of real wine. More of it is being made, and even more of it is at least somewhat affordable. Sure, I could still write endless articles about all of the garbage I’ve tasted over the last sixty days. And honestly I still believe the majority, let’s say around 90% of wine made in this country isn’t all that great, but there’s a light at the end of the tunnel, and it’s getting brighter. It’s illuminating the once dark days of the domestic wine industry, and shining light on the path to real wine, the wines we used to make here, the wines that we still can make.
I’ve recently tasted some domestic wines that lead me to believe in the idea of incredible, and real domestic wines. It was an enlightenment to anyone(me) who once thought we were incapable of producing such structure and balance. I tasted some mid eighties(86-88) wines from Dunn, some early eighties Eberle wines, and some Chimney Rock wines from 85-88. These wines were real. They were produced to age, produced to be consumed with food, and made to be structural works of art. Aesthetics and function.
Somewhere along the way these types of wines have become a scarcity. Look at a bottle of early to mid eighties Napa cab. what’s the alcohol content? The ones I tried were all below 14%ABV a few of them under 13%. Yet still there is so much ignorant chatter about it being impossible with the current climate to produce wines of strength and elegance in California and yet contain such levels. Why not? We used to. And many unheralded producers still do. My quest is to track down and taste as many of the unheralded as I possibly can. Aside from the great eighties wines I mentioned previously, I have found some producers who are crafting wines that have rekindled the past glories of California’s wine making past. Wines that reflect a conscious effort to make wines that are true to their dirt.
A Tribute to Grace, Santa Barbara Highlands 2009 Grenache was a good example of cool climate and restrained California Grenache. Lovely hints of sage, and licorice in the aromas and palate. R Cellars, Sonoma, makes one of the most classic models of California Pinot Noir I have tasted so far, with added bonus of being priced around $30, it was one of the few California Pinot Noirs I’ve tasted of late that didn’t taste like cherry Coke. Coturri Winery is a natural producer who makes a nice Mendocino sourced Carignane. My friends Jody & Emily Towe from J.Brix have in barrel some of the most natural, restrained and food friendly range of wines I have tried this year. All are produced to reflect place of origin, and expression of variety. They currently are producing a wicked rosé, which I have previously mentioned in an earlier post, a stunning Pinot Noir, Rielsing, Grenache, and Syrah. I’ll be tasting barrel samples of these wines again next week. So stay tuned.
The search for real wine in the homeland continues…….